Sideline Shooting

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Today was her last game of the season (they tied 1-1). And today was the first time I shot a game this season. Shooting any sport from the sidelines can be challenging. But I’ve found a few of the following tips to be useful. First, make sure your camera is set to aperture priority and select the widest aperture you can with your lens. This way, your camera will always choose the fastest shutter speed for you. Plus, you’ll bring the focus on your subject since the background will then blur out a little.

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Set your ISO a little higher (400 or 800 if sunny; 1000 if overcast) to ensure faster shutter speeds to stop the action. (If you have a point and shoot camera, try setting the camera on the sports mode). Next, put your camera on both the continuous auto focus and continuous shooting mode. If you have to lift your finger after each shot to take the next, you’re guaranteed to miss something. If you’ve ever had the opportunity to watch a pro shoot, you’ll remember that their finger stays on the shutter release until the ball is out of play! You almost feel as if you’re watching a video when you review their thousands of shots. For sure, knowing the game is a big help since you can anticipate where the action will be. But, if you’re sports-challenged like me, then following the ball through your viewfinder will naturally keep you where the action is and then start pressing the shutter as soon as your child enters the frame. You may also choose to follow your child, but then you sort of miss the game. Another good tip is to not stay in one place. If your child plays on the same side as where you are seated (left wing, e.g.), you may wind up shooting a lot of his or her back. If you venture to the opposing side, on your team’s goal end, you may have a better chance at getting a shot of them facing you rather than the back of their jersey. And of course, your positioning may need to change throughout the game, so be prepared to walk/run the field on a day you plan to take lots of photos. Crouch down once in a while to get a different perspective, and zoom in on details like cleats and balls to make a full story for your album, photo book, scrapbook or digital frame. And last but truly not least, make sure you have a lens that can zoom over a wide range so you can get in close when the action is far down the field (a lens that goes up to around 300mm on a digital SLR is ideal) and you can capture it all as the action gets close to the sidelines by zooming out to a wide angle setting. Additionally, while you still may want to crop in a little closer later on, the closer you are to start, the better quality your cropped photo will be in the end. (ISO 400; 232mm; 1/1250 sec; F/6.3)