"My Photo Are Too Dark" — Solutions for Common Problems: Part 2


In my last post (so long ago, I apologize but summer seemed to have gotten in the way), I covered easy solutions for blurry photos. The next most common problem is dark photos (i.e., under-exposed). While the most logical answer is there just is not enough light, there are other reasons for dark photos.

Problem: You are using the flash but the subject is still dark. Reason: The subject is too far away. The built-in flash on your camera can safely cover a distance of about 10 feet or so. If your subject is well beyond that, chances are it cannot be lit by your flash. Solution: The answer in this case would be to move a little closer. (You can also try raising your ISO to give your flash some more distance coverage).

Problem: The background is really bright and the camera’s meter is fooled. This is called a “back-lit” situation. The meters in today’s cameras are excellent, and you have the choice of several metering patterns to help you achieve your desired result. However, there are still situations like back-lit where you camera’s meter is fooled and gives you the wrong exposure for your subject. When the background is overly bright, the camera “puts on a pair of sunglasses” by closing the aperture down a little to let in less light, resulting in a nicely exposed background and a darker subject.

Examples of back lit situations:

  • in front of a picture window
  • at the beach or pool
  • on snow
  • when shooting from below up against a bright sky, etc.
  • under an overhang (like a stadium with field in the background)
  • The sun is behind your subject

Solution: 1 My favorite option is to use the + exposure compensation (covered here and here). This +/- button usually positioned near your thumb is one of my often used adjustments since you can quickly darken or lighten a subject. By adding (+) .3 to 1 full stop of light by dialing towards the plus side (see your instruction manual to see just how your camera works), you can trick your camera into removing the sunglasses and get a perfect exposure on your subject. By bracketing (taking several shots at several different exposure compensation settings) you are sure to get the proper exposure.

Solution 2: A second solution is to pop up the flash and fill in the subject.

Solution 3: Another way to get a good exposure in a precise area is to switch the camera’s metering pattern to spot metering. Most of the time, you are most likely shooting in the camera’s matrix mode that reads several areas of the image and gives you an exposure based on a lot of data built into the camera. This pattern works well much of the time. But the camera also has a center metering pattern where a smaller area is read and the exposure is based on that area. And even smaller sliver of the image can be measured by suing the spot metering mode (the rectangle with a small dot in the middle is the symbol for this pattern). Make sure the dot lays over the area of your subject you want properly exposed and then take the shot. If you need to recompose your image after taking the reading (dot on subject), then hold in the AE lock button located near the +/- button until you have finished taking the photo. Breaking out your camera’s instruction manual will give you the exact steps to set spot metering and to use AE lock.

In my example above (a perfect shot to end the summer), the child’s face my have been under-exposed, or dark, due to the brightness of the sky, surf and sand. But by adding 2/3-stop of light using the +/- feature, I was able to get a great exposure on her cute face.

Shooting Against a Bright Background Fools Your Camera’s Meter: One Easy Answer Is A Quick Exposure Compensation Adjustment

exposure comp_snow3
On my recent business trip to Switzerland this month, we had the opportunity to sightsee for two days. Our tour took us to an amazing view of the Swiss Alps. A short train trip on the Matterhorn Cog Railway from the mountain town of Zermatt brought us to the Gornergrat where we were met with a panoramic view at 3131 meters above sea level. This astounding view of 29 peaks, each over 4000 meters and including the Matterhorn at 4478 meters, offered up the chance for our small group of 25 to take thousands of photos. We each took turns taking photos of each other and quickly discovered we needed to adjust our camera settings to compensate for the extremely bright background. In this case, the meter saw that much of the frame was filled with white, so the camera “stopped down” the aperture to let in less light (sort of like squinting in bright light). However, this made the subject’s face quite dark. To compensate, I moved the exposure compensation setting to +1.0. I then pointed the camera at my colleague, held the shutter release button down halfway to lock in the focus, and shifted the camera so that I could capture Yuki in front of the Klein Matterhorn. This tip is useful when shooting against any bright background such as snow, sand, water and bright windows, all which lead to backlit situations. So keep this in mind as you travel this summer or spend a day at the beach or boating.

Don’t Let Bright Sun Ruin a Candid Portrait- Move into the Open Shade

We are not nocturnal by nature, so our photo-taking time is usually during the day. And now that it is almost summer, there will be plenty of bright sunny days on which you want to take photos of vacationing kids and visiting guests. So what do we need to do to get a decent outdoor portrait? The simplest solution is to look for open shade. Open shade is the step you take back from the sunny to the shady. It can be just under a tree. Or a step inside a door frame or porch. Or a tent or any overhang. The open shade eliminates all of the contrasty shadows that appear on the face and clothing of a subject standing in the sun. Look at the side by side comparison, especially the eyes and the shirt of the girl on the left. (Pls ignore the color as I did not reset my white balance from sunny to shade and consequently have some funky color going on; pls be sure to set the WB to auto or shady). Below is a shot that shows you the line between a good and poor candid portrait. The girls were first on the sunny side of the line, and then took a step back into the shade. I love how the light catches in their eyes when you shoot in open shade. For more on open shade, see this post too.
shadow line