The light filled the screened porch room late afternoon on Mother’s Day. So I put down my Bellini (a cocktail I’d never had before but thoroughly enjoyed) and picked up my camera before the sun went down. Luckily, the grand kids were quite cooperative. I asked the smallest to sit on Grandma’s lap. The older girl sat on the opposite side on the arm of the chair. And I asked the boys to stand behind Grandma. And just as I asked them to all lean in toward Grandma, and the boys to bring their heads and shoulders in a little closer (to prevent them from dropping out of focus), Kelsey decided she wanted in! Kelsey is a Soft-coat Wheaton Terrier newly adopted by my mother. She just wanted to get in on the action. So she was a fifth “person” in the photo, and mom lifted Kelsey up just a little higher to get her head in good position. Then the kids all squeezed in and we got this lovely picture for mother’s day. I did not use a flash. No? No. The highlights in everyone’s eyes are from the beautiful window right behind me. I cropped out the TV in the background to make this a nice 5×7 for Mom’s house, but you can see me in it taking the picture and the window too. So, be sure to always look for a window. Even on an overcast day you’ll get brilliant looking portraits when you use the window as your light source. Two, get the kids (and pet) on several different levels to make a nice composition. Notice how those beautiful smiles make a ring around their beaming grandma! And three, use the stabilizer feature on your lens as I did to get a blur free shot. And four, go with the flow. You never know who might pop into your viewfinder! (ISO 200; 32mm; F/4; 1/25 sec, Auto WB; Aperture Priority)
I love window light. In the Italian restaurant where we celebrated this boy’s first holy communion, a bank of windows with translucent shades was near the kids table. I asked him to take a minute and stand near the windows, using the wall treatments as a colorful and classic background that leads your eyes right to the subject’s face. I set the camera to aperture priority and dialed in the widest aperture opening I could (F/4.2). The ISO was set at 400. And since the light was low, I turned on the anti-stabilizer on the lens and was able to get a sharp image at 1/30th of a second (gotta love that VC!). The natural light really lets you see the details in his dapper suit and his beautiful rose corsage. And his dark eyes sparkle from the window light. It took more than a few shots to get a natural smile, and I did it by asking him to close his eyes real tight and then open them. He giggled after making a goofy face and I was able to catch a pretty natural smile.
I took about 100 photos of Sydney riding her new bike to show what panning is. Panning is when you follow the action at the same rate of speed as the subject, resulting in a blurry background and a sharp subject. I discovered it is not so easy as it sounds. There are several steps to follow in order to get the result:
1) set your camera to Aperture Priority and select a very small aperture like F/22. This slows down your shutter speed to about 1/25th sec depending on how bright it is out;
2) in order to ensure your camera can select a slow shutter speed, set your ISO to 200;
3) set your camera to continuous shooting and continuous AF; and
4) take lots and lots of shots as the action speeds by you parallel to your camera. Pivot your whole body while keeping the camera level, following the action as it passes in front of your camera. Keep your finger on the shutter release button until after the action has passed you.
The background will be streaks of color (the slower the shutter speed, the more streaky). If your subject appears blurry, you are moving slower than your subject. This technique requires lots of practice. So don’t be discouraged your first time out. The images here were shot at varying shutter speeds and the result in each differs slightly. Notice a nice clean background makes the best image, but this technique also helps to make a cluttered background look better.